Ayala Shoshana Guy tries to grasp the ephemeral: She interweaves her grandfather Jancsi’s story, remembered only in fragments, who left Vienna with his brother Bandi to escape the Nazi regime, with her own inner images, thus questioning them in a way. A ship to Palestine turns into an all-inclusive cruise liner, the vague becomes concrete only to fade away again. Cautious and bold in equal measure, the granddaughter enters shadowy terrain.
